EVE OF ROMANCE
On
such an eve, as every man does know,
All
Nature does unite, and each caress
Imparts
a soft, subdued, transluscent glow
Which
emanates, though efforts to suppress
It
fail, as each fold of the loved one’s dress
Descends
by stages to the floor below.
And
then in revelation she does stand,
That
eyes may see what only hands have known,
Exulting
in the beauty that was planned
By
Him, supreme of sculptors, and has grown
And,
having blossomed, ripened, now is shown
To
eyes that lust, but eyes that understand.
He
stands before her; falls upon his knees
To
pay his homage to a form divine.
His
arms encircle, nerveless yet to squeeze
That
body, still and statuesque of line,
But
gazes at her face as in a shrine
Of
goddess Venus. Dropping by degrees
His
eyes encompass first that brow serene
And
then her rapt’rous azure lids, half-closed,
Expressively,
for teeming thoughts might glean
Her
roused emotions were her eyes exposed,
Although
revealing features quite composed,
More
beauteous than e’er before had been.
A
nose such as no artist could produce,
On
either side of which a modest blush
Bears
witness to her feelings. To reduce
Her
lips to words, though words would like to gush
Forth
from this pen is, as it were, to brush
Aside
all artistry, without excuse.
And
then here chin and throat of lily white,
Unmarked
by blemish, pure as falling snow,
Descending
in such curve as Hogarth might
Admire,
for him such beauty were enow,
But
beauty such as this can only slow
The
downward passage of his eager sight.
For
with frail man desire begets desire
And
passion rules out sentiments of art.
The
mind subordinates itself to fire
Intense
and ardent, springing from the heart,
A
fire which, unextinguished, does impart
Such
ecstasies as sense and frame inspire.
Longmoor,
1948